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Simon Rose

The Business of Film: Venom – The Last Dance, The Wild Robot, Woman of the Hour & Jane Eyre

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Venom – The Last Dance, The Wild Robot, Woman of the Hour & Jane Eyre
James Cameron-Wilson says that box office is up a mere 3% with new #1 Venom: The Last Dance, the third in the franchise with Tom Hardy. Full of British actors, it is dark and violent. The antithesis is #2 The Wild Robot, a delightful animated feature about a robot learning from the animals on an uninhabited island. It's a genuine original and looks terrific. James was moved and entertained. On Sky/Netflix is Woman of the Hour, starring and directed by Anna Kendrick. Although based on a true story about a serial killer on a TV dating show, James found it only mildly diverting. He did recommend, though, that people search out the 2011 version of Jane Eyre online, starring Michael Fassbender and Mia Wasikowska.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: The Wild Robot, The Apprentice, The Crime is Mine & The Radleys

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: The Wild Robot, The Apprentice, The Crime is Mine & The Radleys
James Cameron-Wilson reports that box office takings are up 23%. #1 is the animated The Wild Robot from the creator of How To Train Your Dragon. #3 is The Apprentice, about the property-developing years of Donald Trump. Despite two excellent central performances, it's a dreary and underwhelming affair, which isn't particularly entertaining. The Crime is Mine from the versatile and prolific film director François Ozon is a farcical trifle set in 1930s Paris which is sweet but no Muscatel. On Sky Cinema, The Radleys is a vampire drama set in Whitby with Kelly Macdonald and Damien Lewis. But with an uncertain tone and no link to real life, it most resembles an episode of Grange Hill.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Transformers One, Terrifier 3 & Wolfs

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Transformers One, Terrifier 3 & Wolfs
James Cameron-Wilson explains that box office is down 17%, with a big dropoff for the new Joker movie. He couldn't get excited by new #1 Transformers One. Being animated, it negates the wow factor and he was bored rigid. For the first time in his career, he thinks a film should not have gone on general release. #3 Terrifier 3 is a Christmas horror movie so strong some patrons have been made ill. James says it would have been banned in the 80s. Again he recommends people to catch Beetlejuice Beetlejuice or The Outrun, both still in the charts. On AppleTV+ he enjoyed Wolfs with George Clooney and Brad Pitt playing well off each other as rival fixers, even if it does get increasingly silly.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Joker - Folie à Deux, A Different Man & An Inspector Calls

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Joker - Folie à Deux, A Different Man & An Inspector Calls
James Cameron-Wilson says the box office is up 44% thanks to #1 Joker: Folie à Deux, with Joaquin Phoenix and Lady Gaga. Essentially a jukebox musical contemplating the human condition, it sadly lacks a narrative drive and is often downright boring. At #10, A Different Man is an accomplished and original drama which is moving, challenging and entertaining. Never sure where it's going, it's remarkable and highly recommended. Out on excellently restored home discs is the 1954 JB Priestley An Inspector Calls with Alastair Sim, directed by future Bond director Guy Hamilton. Despite its age, it still casts quite a spell.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: The Outrun, Megalopolis, Never Let Go, I Could Never Be Your Woman, His Three Daughters

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: The Outrun, Megalopolis, Never Let Go, I Could Never Be Your Woman, His Three Daughters
James Cameron-Wilson reorts on box office down 9%, the third downturn in a row. He thought #3 The Outrun, a searing drama based on a memoir starring Saoirse Ronan, a terrific film. A work of arthouse cinema, it's a beautiful and emotional expedition with great acting. Francis Ford Coppola's long-cherished dream project Megalopolis reaches the screen at #7 but it is preposterous, self-indulgent and incomprehensible and had the audience leaving in droves. #10 Never Let Go with Halle Berre is a boring cabin-in-the-woods horror. But James was unexpectedly delighted by Ronan's first film from 2007, I Could Never Be Your Woman, which is available to view free online. He found Netflix's family drama His Three Daughters unduly theatrical and disappointing.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: The Substance, Prima Facie, Michael Powell & Rebel Ridge

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: The Substance, Prima Facie, Michael Powell & Rebel Ridge
Box office is down 27%, says James Cameron-Wilson with new entry The Substance, a feminist body horror starring Demi Moore, entering only at #3. Although #12, Jodie Comer's Prima Facie has now taken £7.6m, the highest ever for an event movie and it is still screening. James waxed lyrical about the extras-laden Blu-Ray Michael Powell: Early Works, giving umpteen insights into the development of one of the UK's greatest directors. He was also positive about Netflix's Rebel Ridge, a thriller about corruption and racism in America's South with Aaron Pierre and Don Johnson, even if the drama ebbs away when it begins to resemble First Blood.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Speak No Evil, Lee & The Critic

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Speak No Evil, Lee & The Critic
James Cameron-Wilson tells Simon Rose that box office is down 21%, with Beetlejuice Beetlejuice still #1. #2 is the James McAvoy thriller of manners Speak No Evil which James praised highly while advising cinemagoers to avoid the trailer. Kate Winslet stars in passion project Lee (#3) about WW2 photojournalist Lee Miller. While she is brilliant and the film looks amazing, the story is so slow paced and conventionally told James had trouble keeping his eyes open. And while he enjoyed Ian McKellen's performance in the 1930s-set The Critic (#7), he found it improbable, flat, leaden and lacking in humour as well, as too often these days, much too dark.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Beetlejuice Beetlejuice, Firebrand & Robin & the Hoods

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Beetlejuice Beetlejuice, Firebrand & Robin & the Hoods
Box office is up 47%, says James Cameron-Wilson, helped by the 36-years-on Tim Burton sequel to Beetlejuice called Beetlejuice Beetlejuice. Still with Michael Keaton and Winona Ryder, James found it laugh-out-loud funny and wildly imaginative with amazing production design. At #10 is the oddly-titled Firebrand, the story of Catherine Parr (Alicia Vikander) and Henry VIII (Jude Law), which is fascinating to history buffs, if a little uncinematic. However, Robin and the Hoods on Sky Movies, a children's fantasy, was, despite an enjoyable screenplay, embarrassingly bad.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: AfrAId, The Deliverance & The Union

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: AfrAId, The Deliverance & The Union
James Cameron-Wilson laments box office declining 30% despite National Cinema Day. The only new film is AI horror AfrAId at #10 with a family at the mercy of a digital assistant. Although slammed by critics, James found it nuanced and horrifically believable. He also watched faith-based horror The Deliverance on Netflix which features Glenn Close. Although not a great film, it still delivers a frightfest. James thinks that spy thriller The Union, also on Netflix and starring Halle Berry and Mark Wahlberg, might be one of those films so bad that it's good. He found it absurdly diverting.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Kneecap, Blink Twice, The Crow, Widow Cliquot & Miller's Girl

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Kneecap, Blink Twice, The Crow, Widow Cliquot & Miller's Girl
James Cameron-Wilson reports on a bumper week of films, despite the box office take falling 17%. Kneecap, a mashup of A Hard Day's Night and Trainspotting is #5. Psychological thriller Blink Twice is #6. Written and directed by Zoe Kravitz and starring Channing Tatum, James felt that, though unsettling, he'd seen it all before. The supposed remake of The Crow at #8 was brilliantly made and disturbing but illogical. James both admired and hated it. Simon felt that Widow Cliquot at #24 was a wasted opportunity to explain the science behind champagne making. On Amazon Prime, James admired Miller's Girl, written & directed by Jade Halley Bartlett, a whipsmart movie about creative writing with wonderful dialogue.
Guest:

James Cameron-Wilson

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