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Simon Rose

The Business of Film: A Haunting in Venice, The Equalizer 3, The Sound of Freedom & El Conde

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: A Haunting in Venice, The Equalizer 3, The Sound of Freedom & El Conde
James Cameron-Wilson takes Simon Rose through the latest box office chart where Agatha Christie adaptation A Haunting in Venice is #1. However, James found it dreary, dragging the Whodunnit back to the Middle Ages. He much preferred The Equalizer 3 at #3 with Denzel Washington; although violent it's a thriller with character and atmosphere. He found The Sound of Freedom, about modern-day child slavery, well-made but an essential watch for the subject matter, which has obsessed him since, as has the fact that the film was blocked for five years. He found El Conde on Netflix, imagining General Pinochet as an aged vampire, a jaw-dropping curiosity.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Theater Camp, The Dive & Andrzej Zulawski

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Theater Camp, The Dive & Andrzej Zulawski
James Cameron-Wilson continues to marvel at Barbie, #1 for 6 weeks with a total of £90m, making it the 7th highest grossing UK film. Oppenheimer is steady at #2 with £54m. Theater Camp, a mockumentary, limped in at #15. James found it unrealistic and less funny than it thinks it is, but with great child performances. Underwater thriller The Dive was #20 but, though diverting, pales beside others in that genre. James was more impressed with Eureka's Masters of Cinema box set of Andrzej Zulawski, including The Third Part of the Night, Devil, On The Silver Globe and a documentary. Cineastes should love it.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Blue Beetle, Strays & The Three Ages

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Blue Beetle, Strays & The Three Ages
The UK box office is still dominated by Oppenheimer and Barbie, now the UK's 8th most successful film, beating Titanic, says James Cameron-Wilson. DC Comics' Blue Beetle, with a Latino superhero, enters at #3 but is depressingly unoriginal and unengaging. At #5 is Strays, a comedy with foul-talking dogs. Without a whiff of wit, James can't believe it got a 15 certificate. He's more interested in Eureka's restoration 100 years on of Buster Keaton's first feature, Three Ages, which is essentially a series of inventive skits. Fascinating rather than funny, the disc is full of great extras.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Gran Turismo, Haunted Mansion & Heart of Stone

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Gran Turismo, Haunted Mansion & Heart of Stone
James Cameron-Wilson reports on a UK box office still boosted by Barbie & Oppenheimer at #1 & #2, the former now the 11th most successful film here ever with £78.2m. True(ish) story Gran Turismo, partly based on a computer game, enters at #4. Directed by Neill Blomkamp, James found it hugely entertaining escapism with great race sequences. Disney's reboot of Haunted Mansion, the second based on its theme park ride, he found one of the worst films of the year. On Netflix, however, he found Tom Harper's Heart of Stone an implausible but enjoyable thriller.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Meg 2 - The Trench & Paris Memories

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Meg 2 - The Trench & Paris Memories
James Cameron-Wilson marvels at the UK box office, down a mere 10% on the week but up 165% YOY. Barbie has passed the $1bn mark, the first time for a woman director and it and Oppenheimer are still #1 & #2. In at #3 is monster movie Meg 2: The Trench with Jason Statham, bizarrely directed by highly-regarded Ben Wheatley. James found it so silly, it almost became a farce. He did, however, adore French film Paris Memories, on at selected cinemas. A psychologically complex look at the aftermath of a terrorist attack, he found it one of the most human films he's ever seen.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Talk To Me & The Beanie Bubble

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Talk To Me & The Beanie Bubble
James Cameron-Wilson takes Simon Rose through the revitalised UK box office which, although down 25% WOW, is still up 137% on this time last year. Barbie, still #1, has taken £48m after just 10 days and is already the 3rd highest grossing film of the year. Oppenheimer remains #2 with a £27.7m total. In at #5 is Australian horror Talk To Me, which James thought a real original. Despite being a hardened fan of the genre, he thought it deeply unnerving. He also enjoyed The Beanie Bubble, the story of Beanie Babies, which is streaming on Apple TV+.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Barbie & Oppenheimer

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Barbie & Oppenheimer
James Cameron-Wilson reports on an extraordinary week for the UK box office, up 92% WOW and 190% YOY. Barbie, starring Margot Robbie, enters at #1 with an impressive £18.5m weekend take. James found it original, smart, funny, timely and moving, considering it "a cinematic miracle". Christopher Nolan's Oppenheimer was #2 with £10.9m. With an all-star cast led by Cillian Murphy, he found it timely and relevant and full of extraordinary moments, let down by an unwieldy final hour (of three). Perhaps not surprisingly, no other big movies are due to open against these two behemoths next week.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Mission Impossible – Dead Reckoning Part One, Name Me Lawand & Run Rabbit Run

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Mission Impossible – Dead Reckoning Part One, Name Me Lawand & Run Rabbit Run
James Cameron-Wilson eulogises Mission Impossible - Dead Reckoning Part One, which has not only sent the UK box office up 58% WOW (and 80% YOY), but has single-handedly rescued the reputation of the blockbuster. Exciting, funny and with excellent acting throughout, the #1 film is the highlight of a dreadful summer and an action movie even those who usually spurn them might enjoy. Not so the documentary Name Me Lawand at #35, which James felt was poorly made. He was no more enthusiastic about horror thriller Run Rabbit Run on Netflix.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Elemental, Insidious: The Red Door & Ruby Gillman, Teenage Kraken - 13 Jul 23

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Elemental, Insidious: The Red Door & Ruby Gillman, Teenage Kraken - 13 Jul 23
With Empire in administration, closing half their cinemas, James Cameron-Wilson finds it hard to be positive. Pixar's Elemental at #1 is a forced morality tale while Indiana Jones and the Dial of Destiny is creaky and overlong. Insidious: The Red Door at #5 is merely blah while Ruby Gillman, Teenage Kraken at #8 is devoid of wit or flair. James is only enthusiastic about The Flash at #10.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: No Hard Feelings, Asteroid City & Extraction II

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: No Hard Feelings, Asteroid City & Extraction II
James Cameron-Wilson comments on the dire state of the UK box office, where Cineworld is filing for administration. With Spider-Man returning to #1, the implausible and predictable No Hard Feelings, with Jennifer Lawrence, enters at #3. Wes Anderson's Asteroid City is #4. Despite liking some of his films and despite a stellar cast, James found this too deliberately quirky and self-indulgent. He was much keener on thriller Extraction II with Chris Hemsworth on Netflix. While lacking in originality, he found the action sequences genuinely thrilling, with one being among the best he's ever seen.
Guest:

James Cameron-Wilson

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