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Programme: The Business Of Film
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Simon Rose

The Business Of Film: Bullet Train, Luck & 13 Lives

Simon Rose
Original Broadcast:

The Business Of Film

The Business Of Film: Bullet Train, Luck & 13 Lives
James Cameron-Wilson looks at the UK box office chart, with takings down 20% week-on-week. At #1 is tongue-in-cheek thriller Bullet Train, starring Brad Pitt, but it only took £2.9m in an extended weekend. With no other new films, James turned to streaming services. On Apple+ is Skydance Animation's Luck, with the voices of Simon Pegg and others. At times delightful, it ends up being a mixed bag, says James. He was more positive about Amazon Prime's 13 Lives in which director Ron Howard tells the true story of the cave rescue of a group of Thai schoolboys. Viggo Mortensen and Colin Farrell are among the cast.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: DC League of Superpets, Rogue Agent & Prizefighter

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: DC League of Superpets, Rogue Agent & Prizefighter
James Cameron-Wilson gives Simon Rose the lowdown on the latest UK box office, wilting 8% in the heat but already ahead of 2021's total take. With the widest release ever for an animated feature, DC League of Superpets takes £2.6m in the #1 spot. James found it consistently funny for young and old alike. He thought Netflix's true-life spy tale Rogue Agent with Gemma Arterton and James Norton gripping but was less impressed with Amazon Prime's true story Prizefighter: The Life of Jem Belcher.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Where The Crawdads Sing, Drive My Car & The Gray Man

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Where The Crawdads Sing, Drive My Car & The Gray Man
James Cameron-Wilson tells Simon Rose of a bump in the box office as the weather cools. Minions is the new #1 with Where The Crawdads Sing arriving at #3, taking £1.3m. Based on the best-selling novel, James found it beautiful but ultimately rather disappointing. At #6 is the one NT Live showing of Jodie Comer in her one-woman play Prima Facie. James's DVD of the month is the Japanese award-winner Drive My Car, which he found a mesmerising and genuine original unlike anything else. Not so Netflix's action thrller The Gray Man with Ryan Gosling and Chris Evans, which he found OTT and wildly improbable.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: The Railway Children Return, The Good Boss & Persuasion

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: The Railway Children Return, The Good Boss & Persuasion
James Cameron-Wilson looks at the UK box office, wilting 52% in the heat. The Railway Children Return only managed #6 with £365,000 but James found the moving story overcame an unduly modern presentation. At #16 is Spanish Goya award triumph The Good Boss with Javier Bardem in arthouse cinemas and on Curzon Home Video. On Netflix, Persuasion is a funny and moving modern take on Austen.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Thor – Love and Thunder & Donbass

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Thor – Love and Thunder & Donbass
James Cameron-Wilson looks at the UK box office, resilient in the better weather but only because of the arrival of Thor: Love and Thunder, taking £12.3m in the #1 spot. James found it the most expensive romcom of all time (costing $250m), often pantomimic and, in the end, atrocious. His faith in cinema was restored by catching up with the 2018 chilling black comedy Donbass from Ukraine, which is even more fascinating given the current conflict. It's available to buy and rent online.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Minions – The Rise of Gru, The Man From Toronto & Blasted

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Minions – The Rise of Gru, The Man From Toronto & Blasted
James Cameron-Wilson looks at the UK box office, where Minions: The Rise of Gru enters at #1. Disliking it intensely and querying the BBFC's "U" certificate, he calls it "cultural rat poison". With Elvis, Top Gun and Jurassic World holding well, James turned to Netflix for filmic enlightenment. But he found the Kevin Hart/Woody Harrelson comedy The Man From Toronto dreadful and was even more dispirited by Norwegian sci-fi comedy Blasted. He only managed to cheer himself by watching Avatar ahead of this year's belated sequel, finding it vastly better than he remembered.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Elvis, The Black Phone & Everything Went Fine

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Elvis, The Black Phone & Everything Went Fine
James Cameron-Wilson looks at the UK box office, up 4% on the week but almost 50% on this time last year. Baz Luhrmann's Elvis, with Austin Butler and Tom Hanks, is #1 taking £4m at the weekend. James found it entertaining but long and exhausting. The Black Phone with Ethan Hawke enters at #5. James's film of the week is the Francois Ozon movie about assisted dying with Sophie Marceau, Everything Went Fine. It's at selected cinemas and available on Curzon Home Cinema.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Lightyear, Hustle & Spiderhead

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Lightyear, Hustle & Spiderhead
James Cameron-Wilson looks at the UK box office, still dominated by Jurassic World Dominion and Top Gun Maverick. Pixar's Lightyear enters at #3 but with only £13.3m. James found it enjoyable but over-familiar. Emma Thompson in Good Luck To You Leo Grande arrives at #4. James also reviews the Adam Sandler basketball movie Hustle on Netflix, surprising himself by enjoying it, though he was less impressed by Spiderhead with Chris Hemsworth and Miles Teller.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Jurassic World Dominion, The Worst Person in the World, Cha Cha Real Smooth

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Jurassic World Dominion, The Worst Person in the World, Cha Cha Real Smooth
James Cameron-Wilson on the UK box office, up 32% with the arrival of Jurassic World Dominion at #1. James, a fan of the franchise, found it breathless entertainment. It pushed Top Gun: Maverick to #2 though that's now the highest grosser of 2022. With no other major new films, James chose Foreign Oscar nominee The Worst Person in the World as his DVD of the month, recommending it as a daring, brave and memorable movie. He also looked at Sundance winner Cha Cha Real Smooth, out on Apple+.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Men, Emergency & Top US films of 2022

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Men, Emergency & Top US films of 2022
With Top Gun: Maverick powering past £30m at the UK box office, James reviews creepy new entry Men at #3, written and directed by Alex Garland and starring Jessie Buckley. Although periodically interesting, James found it "ludicrous". He preferred Emergency, a well-written and acted take on racism in the US on Amazon Prime, which was overlong but absorbing. He also looked at the top 10 films so far in 2022 in America, noting that only one does not feature a British actor in a leading role.
Guest:

James Cameron-Wilson

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