Share Sounds from The Business Of Film presented by Simon Rose

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Programme: The Business Of Film
Presenter: Simon Rose
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Simon Rose

The Business of Fim: Kraven the Hunter, Lord of the Rings - The War of the Rohirrim & That Christmas

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Fim: Kraven the Hunter, Lord of the Rings - The War of the Rohirrim & That Christmas
With box office takings down once more, James Cameron-Wilson says that #5 Kraven the Hunter is the worst ever Marvel opening. It's a mixed bag but is often entertainingly ludicrous with Russell Crowe having fun as a Russian villain. He found the anime Lords of the Rings: The War of the Rohirrim often utterly baffling but it got better as it went on, even if he never wants to see anything Lords of the Ring-related ever again. On Netflix, however, he warmed to the animated That Christmas, co-written by Richard Curtis. It's a sweet and sentimental tale aimed at the whole family that does what it says on the tin.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Black Tuesday, Beatles '64 & Pipes in the Peaks

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Black Tuesday, Beatles '64 & Pipes in the Peaks
James Cameron-Wilson celebrates UK box office being up 38% YoY with 5 films taking £1m. With no new films to review, he turns to the 1954 Edward G. Robinson gangster film noir Black Tuesday. Banned in the UK for its violence, it has been restored on Blu-Ray. Packed with superb extras, it is a forgotten masterpiece. He found Beatles '64, a documentary about the Fab Four on Disney+, slick and engaging. And Simon recommended a glorious garage in Derbyshire where they have restored a Compton cinema organ called Pipes in the Peaks, having attended four concerts there this year.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Moana 2, Conclave, The Piano Lesson and A Time To Kill

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Moana 2, Conclave, The Piano Lesson and A Time To Kill
James Cameron-Wilson reports that UK box office is up for an amazing 7th week in the row with Disney's Moana 2's £12m opening at #1 being four times that of the original. While the animation is sublime and the music great, it lacks a cohesive storyline. At #5 is Conclave with Ralph Fiennes excellent in a surprisingly thrilling and insightful adaptation of Robert Harris’s novel about the election of a new Pope. James was gripped throughout, finding it a cinematic masterpiece. Although Netflix's second screen version of The Piano Lesson, with Samuel L. Jackson, is a well-made and acted tale, it can't shake off its theatrical roots. He also revisited the John Grisham adaptation A Time To Kill online, finding it has well stood the test of time.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Wicked, Blitz & Joy

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Wicked, Blitz & Joy
James Cameron-Wilson says that not only has the box office climbed for the 6th time in a row, but that #1 Wicked has had the biggest opening of the year, £13.7m. Although just the first part of the adaptation of the stage musical, James found it hugely entertaining with great comedy timing. Although down to #16 in the charts, James is rooting for Steve McQueen's Blitz in awards season, which he found an engrossing and visually amazing movie. He could not recommend Netflix's Joy more, a true-life tale of the first test-tube baby with the likes of James Norton and Bill Nighy. It is pitch perfect, being beautifully English and understated.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Gladiator II, Emilia Pérez & Juggernaut

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Gladiator II, Emilia Pérez & Juggernaut
James Cameron-Wilson celebrates UK box office climbing for the 5th week running. #1 is Ridley Scott's Gladiator II which, if anything, is even better than the first film, with smart storytelling and visual spectacle to take the breath away. It is incredibly violent, though, despite its 15 certificate. On Netflix, James adored French-made, Mexico-set musical Emilia Pérez which, like Gladiator, has lots of Oscar buzz. Stylised but gritty and intelligent, it's unlike anything you'll have seen for ages. In a positive week, James also raved about the 50th anniversary Blu-Ray of the British disaster-era film Juggernaut. With Richard Harris leading a great cast directed by Richard Lester, it stands up incredibly well and is a masterclass in popular entertainment with amazing extras.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Paddington in Peru, Red One, Blitz & The Substance

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Paddington in Peru, Red One, Blitz & The Substance
James Cameron-Wilson looks at the UK box office chart, with takings up 53% thanks to 2 films. #1 is Paddington in Peru but the third in the series suffers from inane dialogue, an obvious plot and little basis in reality. James was no more impressed by #2 Red One with Dwayne Johnson in a movie about Father Christmas being kidnapped. It's nonsensical, silly and cynical. Simon caught Steve McQueen's Blitz, an impressive recreation of life on the home front during nightly bombings, starring Saoirse Ronan, which he recommends. And James caught up with Demi Moore in The Substance, an astonishly original and very stylish horror film about an actress's attempt to stay young.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Heretic, Anora, Juror #2 & The Third Man

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Heretic, Anora, Juror #2 & The Third Man
James Cameron-Wilson says box office is up 12%, with Heretic at #3 a horror film starring Hugh Grant. While the first half is a blast in the vein of Sleuth, it then descends into full-out nasty horror. Although #6 Anora, starring Mike Madison, won the Palme D'Or, and has a great central performance, James was disappointed, perhaps because expectations were so high. He found #10 Clint Eastwood's 40th film as director, Juror #2, with Nicholas Hoult, totally gripping. It's a great story with multi-layered characters. James also celebrated a 75th anniversary restoration of The Third Man, one of the UK's greatest movies. The Blu-Ray and 4K disc of this riveting noir classic is also packed with great extras.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Venom – The Last Dance, The Wild Robot, Woman of the Hour & Jane Eyre

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Venom – The Last Dance, The Wild Robot, Woman of the Hour & Jane Eyre
James Cameron-Wilson says that box office is up a mere 3% with new #1 Venom: The Last Dance, the third in the franchise with Tom Hardy. Full of British actors, it is dark and violent. The antithesis is #2 The Wild Robot, a delightful animated feature about a robot learning from the animals on an uninhabited island. It's a genuine original and looks terrific. James was moved and entertained. On Sky/Netflix is Woman of the Hour, starring and directed by Anna Kendrick. Although based on a true story about a serial killer on a TV dating show, James found it only mildly diverting. He did recommend, though, that people search out the 2011 version of Jane Eyre online, starring Michael Fassbender and Mia Wasikowska.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: The Wild Robot, The Apprentice, The Crime is Mine & The Radleys

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: The Wild Robot, The Apprentice, The Crime is Mine & The Radleys
James Cameron-Wilson reports that box office takings are up 23%. #1 is the animated The Wild Robot from the creator of How To Train Your Dragon. #3 is The Apprentice, about the property-developing years of Donald Trump. Despite two excellent central performances, it's a dreary and underwhelming affair, which isn't particularly entertaining. The Crime is Mine from the versatile and prolific film director François Ozon is a farcical trifle set in 1930s Paris which is sweet but no Muscatel. On Sky Cinema, The Radleys is a vampire drama set in Whitby with Kelly Macdonald and Damien Lewis. But with an uncertain tone and no link to real life, it most resembles an episode of Grange Hill.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Transformers One, Terrifier 3 & Wolfs

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Transformers One, Terrifier 3 & Wolfs
James Cameron-Wilson explains that box office is down 17%, with a big dropoff for the new Joker movie. He couldn't get excited by new #1 Transformers One. Being animated, it negates the wow factor and he was bored rigid. For the first time in his career, he thinks a film should not have gone on general release. #3 Terrifier 3 is a Christmas horror movie so strong some patrons have been made ill. James says it would have been banned in the 80s. Again he recommends people to catch Beetlejuice Beetlejuice or The Outrun, both still in the charts. On AppleTV+ he enjoyed Wolfs with George Clooney and Brad Pitt playing well off each other as rival fixers, even if it does get increasingly silly.
Guest:

James Cameron-Wilson

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