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James Cameron-Wilson marvels that Wonka is still #1 after 5 weeks, with total of £53m at the UK box office. Anthony Hopkins stars in One Life, the true story of stockbroker Nicholas Winton's extraordinary wartime rescue of hundreds of Jewish children. James found it beautifully realised and hugely affecting. He was less impressed with Priscilla, about the spouse of Elvis Presley. Written and directed by Sofia Coppola, which he found unimaginative. He admired the decor and scenery more than the plot in Netflix's drama about grief and friendship, Good Grief, written and directed by Dan Levy.

Tech guru Steve Caplin discusses some of the devices at the Consumer Electronics Show incuding a bus with AR windows, autofocus glasses, a washing bot and an auto-tracking phone-charging stand. An experimental philosopher has set up a camera with a 1000-year exposure. There's a strap for an Apple watch that will let users control Apple devices with gestures. A smart coffee table will display photos and movies and games. Morrison's pod to deter shoplifters is proving unpopular. There's a development in fire hoses to make them easier to wield. And it turns out that the over-70s are the second heaviest online users.

Political commentator Mike Indian discusses the fallout from the ITV drama about the Post Office Horizon scandal which has finally galvanised politicians. Labelled the biggest miscarriage of justice in British history, Mike examines what it means for people's trust in democracy and our institutions. He expects 2024 to be an election year and explains what we might expect from the main political parties, comparing them to competitors at a school sports day.

Steamboat Willie, the original Mickey Mouse, steps into the public domain after 95 years of copyright restriction. Copyright law has been with us for over 300 years, but it's due a serious revision in the light of Artificial Intelligence. The New York Times is relying on current legislation to sue Open AI for infringing their copyright to train ChatGPT, but surely the information and analysis that the NYT report on belongs to us all? Background music: 'People Watching' by Sir Cubworth

Have you ever sold anything on Ebay, Vinted or Facebook Marketplace to make a bit of extra cash? Those who do may have been worried this week, as news that the websites will now be required to report sellers' activities to the taxman caused panic online. So what are the rules - and is HMRC really going after people who sell the odd frock or mobile phone? Lee Boyce, Helen Crane and Georgie Frost explain what's really happening, how to tell if you are a 'trader' - and why most people having a clear-out of their old clothes won't need to worry. Mortgage lenders have started 2024 with a bang, with the likes of HSBC, NatWest and TSB announcing rate cuts left, right and centre. There is now a five-year fix with a rate of 3.94% - so what does that tell us about how low the base right might go this year, and will these cheaper home loans start to drive up house prices again? As we get back to reality after the festive break, we are also approaching Divorce Day. The first working Monday of the year is supposedly when unhappy couples are most likely to call it quits. If that is you, we are on hand to explain what you need to know about splitting your property, pension and more with an ex. Finally, Lee, Helen and Georgie discuss what they learned about their finances in 2023 - and the mistakes they won't be making again this year.

After 95 years of copyright protection, Steamboat Willie enters the public domain. Asit Sharma and Dylan Lewis discuss why early versions of Disney’s Mickey and Minnie Mouse characters are now appearing in horror slasher films, Tesla once again being the king of EVs, and what to make of BYD coming up on its heels, a digital entertainment stock to watch in 2024. Then, 16 minutes in, it’s been a great run for growth stocks – and it might not be over! Deidre Woollard caught up with Motley Fool Analyst Kirsten Guerra for a look at some recent winners that could keep winning in 2024. Companies discussed: DIS, TSLA, SONO, DUOL. Host - Dylan Lewis; Guests - Asit Sharma, Deidre Woollard, Kirsten Guerra

Institutional investors make headlines with sweeping predictions about the economy, but there’s not much of a consequence if they’re wrong. Ricky Mulvey and Jason Moser discuss Apple resuming watch sales, and long battle against Masimo, why it’s difficult to make accurate economic predictions, understanding a business’s valuation and its story, and a stock and an ETF we plan on holding through 2024. Plus, 18 minutes in, Robert Brokamp and Alison Southwick provide some tips to be more productive in the new year. Stocks/ETFs mentioned: AAPL, MASI, TDOC, AXON, SCHD. Host - Ricky Mulvey; Guests - Jason Moser, Alison Southwick, Robert Brokamp

If concerns about how other people think of you develop into seeking to manage those relationships, it can result in giving away control of your thoughts and actions to others. This episode puts forward alternative approaches which help re-build self-confidence, encouraging self-acceptance and self-empowerment to make positive life choices for yourself.

Professor Tim Evans of Middlesex University discusses the potential challenges of 2024, including elections in so many places, the problems of NATO, Ukraine & the Middle East and the militarisation of Russia. He explains why so much of what politicians tell us about immigration is wrong. And he points out that, despite many people's perception, Labour is historically the party of strong defence and that this may be yet another way in which the party will outflank the Conservatives.

James Cameron-Wilson explains that UK box office is up 14% YoY. Wonka is still #1 with £45m total. Michael Mann's Ferrari is #2; though interesting, it is slow and not energising. Aquaman and the Lost Kingdom #3 is exhausting, all CGI and endless violence. Studio Ghibli's The Boy and the Heron is #4 while Anyone But You at #5 is an ludicrous and nonsensical romcom. Next Goal Wins about the infamous American Samoan football team is not a patch on the documentary on which it is based. However, Bradley Cooper's film about Leonard Bernstein, in which he also stars and which is now on Netflix, is beautiful and wonderful.